‘Actionwork Film Theatre Anti-Bullying and Education’. [n.d.]. <http://www.actionwork.com/>
‘After Ghostcatching (Excerpts)’. 2010. <https://vimeo.com/12957216>
Ahtila, Eija-Liisa. [n.d.-a]. ‘The House (1)’ <http://www.dailymotion.com/video/x4vwi5_the-house-eija-liisa-ahtila-1_creation>
———. [n.d.-b]. ‘The House (2)’ <http://www.dailymotion.com/video/x4w98d_the-house-eija-liisa-ahtila-2_creation>
Alfreds, Mike. 2007. Different Every Night: Freeing the Actor (London: Nick Hern)
‘Applied and Interactive Theatre Guide’. [n.d.]. <http://www.tonisant.com/aitg/>
Artaud, Antonin, and Victor Corti. 2013. The Theatre and Its Double, New edition (Richmond, Surrey: Alma Classics)
Aston, Elaine, and Geraldine Harris. 2008. Performance Practice and Process: Contemporary (Women) Practitioners (Basingstoke: Palgrave Macmillan)
Baim, Clark, Sally Brookes, Alun Mountford, and Geese Theatre Company. 2002. The Geese Theatre Handbook: Drama with Offenders and People at Risk (Winchester: Waterside Press) <http://lib.myilibrary.com/browse/open.asp?id=112477&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Bannerman, Christopher, Joshua Sofaer, and Jane Watt. 2006. Navigating the Unknown: The Creative Process in Contemporary Performing Arts (Enfield: Middlesex University Press)
Bay-Cheng, Sarah and ebrary, Inc. 2010. Mapping Intermediality in Performance (Amsterdam: Amsterdam University Press) <http://site.ebrary.com/lib/nottinghamtrent/Doc?id=10405022>
Benjamin, Walter. [n.d.]. ‘The Work of Art in the Age of Its Technological Reproducibility [First Version]’, The Work of Art in the Age of Its Technological Reproducibility [First Version] <http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=50224355&site=ehost-live>
Birringer, Johannes. 1998. Media and Performance: Along the Border (Baltimore: Johns Hopkins University Press)
Bishop, Claire. 2005. Installation Art (London: Tate)
Boal, Augusto. 2002a. Games for Actors and Non-Actors, 2nd ed (London: Routledge)
———. 2002b. Games for Actors and Non-Actors, 2nd ed (London: Routledge)
———. 2002c. Games for Actors and Non-Actors, 2nd ed (London: Routledge)
Bogart, Anne. 2001. A Director Prepares: Seven Essays on Art and Theatre (London: Routledge) <http://lib.myilibrary.com/browse/open.asp?id=6818&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Bogart, Anne, and Tina Landau. 2005. The Viewpoints Book: A Practical Guide to Viewpoints and Composition, 1st ed (New York: Theatre Communications Group)
Bolter, Jay David, and Richard Grusin. 2000. Remediation: Understanding New Media (Cambridge, Mass: MIT)
Bonnie Marranca. 2008. Performance Histories (New York: PAJ Publications)
Bourriaud, Nicholas. [n.d.]. Relational Aesthetics
Braun, Edward. 1998. Meyerhold: A Revolution in Theatre (London: Methuen) <http://lib.myilibrary.com/browse/open.asp?id=604054&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Broadhurst, Susan, and Josephine Machon. 2009. Sensualities/Textualities and Technologies: Writings of the Body in 21st Century Performance (Basingstoke: Palgrave Macmillan)
Brook, Peter. 1993. There Are No Secrets: Thoughts on Acting and Theatre (London: Methuen)
———. 2008a. The Empty Space (London: Penguin)
———. 2008b. The Empty Space (London: Penguin)
Buskirk, Martha. 2005. The Contingent Object of Contemporary Art (Cambridge, Mass: MIT) <http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=100041&site=ehost-live&scope=site>
‘Cardboard Citizens’. [n.d.]. <http://www.cardboardcitizens.org.uk/>
Chapple, Freda, and Chiel Kattenbelt. 2006. Intermediality in Theatre and Performance (Amsterdam: Rodopi)
Chekhov, Michael, Michael Chekhov, and Mel Gordon. 1991. On the Technique of Acting (New York: Harper Perennial)
Chunky Move. 2014. ‘Glow (Official, Full, HD)’ <https://www.youtube.com/watch?v=2AautwIOON8>
Clifford, Sara, and Anna Herrman. 1998. Making a Leap, Theatre for Empowerment: A Practical Handbook for Creative Drama Work with Young People (London: Jessica Kingsley)
Cole, Toby and Chinoy, Helen Krich. 1963a. Directors on Directing: A Source Book of the Modern Theatre (Bobbs-Merrill)
———. 1963b. Directors on Directing: A Source Book of the Modern Theatre (Bobbs-Merrill)
Coult, Tony, and Baz Kershaw. 1983. Engineers of the Imagination: The Welfare State Handbook, Rev.ed (London: Methuen)
‘C&T’. [n.d.]. <http://www.candt.org/>
De Mallet Burgess, Thomas, and Nicholas Skilbeck. 2000. The Singing and Acting Handbook: Games and Exercises for the Performer (London: Routledge)
De Wend Fenton, Rose, Lucy Neal, and Calouste Gulbenkian Foundation. 2005. The Turning World: Stories from the London International Festival of Theatre (London: Calouste Gulbenkian Foundation)
Delgado, Maria M., and Paul Heritage. 1996. In Contact with the Gods?: Directors Talk Theatre (Manchester: Manchester University Press)
Dixon, Steve. 2007. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation (Cambridge, Mass: MIT) <http://lib.myilibrary.com?id=209859&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Donnellan, Declan. 2005. The Actor and the Target, Rev. ed (London: Nick Hern)
‘El Proceso Como Paradigma (The Process as Paradigm)’. [n.d.]. <http://www.laboralcentrodearte.org/en/exposiciones/el-proceso-como-paradigma-23.04-30.08.2010>
Elsam, Paul. 2006. Acting Characters: 20 Simple Steps from Rehearsal to Performance (London: A. & C. Black)
Elwes, Catherine. 2005. Video Art: A Guided Tour (London: I. B. Tauris) <http://lib.myilibrary.com/browse/open.asp?id=252716&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Etchells, Tim and ebrary, Inc. 1999. Certain Fragments: Contemporary Performance and Forced Entertainment (London: Routledge) <http://site.ebrary.com/lib/nottinghamtrent/Doc?id=10054916>
Freeman, John. 2007. New Performance/New Writing (Basingstoke: Palgrave Macmillan)
———. 2010. Blood, Sweat & Theory: Research through Practice in Performance (Faringdon: Libri Publishing) <http://lib.myilibrary.com/browse/open.asp?id=505366&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Frost, Anthony, and Ralph Yarrow. 2007. Improvisation in Drama, 2nd ed (Basingstoke: Palgrave Macmillan)
Fusco, Coco. 1995. English Is Broken Here: Notes on Cultural Fusion in the Americas (New York, NY: New Press)
‘Geese Theatre Company’. [n.d.]. <http://www.geese.co.uk/>
Gómez-Peña, Guillermo, and Elaine Peña. 2005. Ethno-Techno: Writings on Performance, Activism, and Pedagogy (New York: Routledge) <http://lib.myilibrary.com/browse/open.asp?id=21729&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Grotowski, Jerzy, and Eugenio Barba. [n.d.]. Towards a Poor Theatre (London: Eyre Methuen) <http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=507082&site=ehost-live&scope=site>
Hélio Oiticica: Quasi-Cinemas : [Exhibition Catalogue]. 2001. (Ostfildern-Ruit: Hatje Cantz)
Hagen, Uta, and Haskel Frankel. 1973. Respect for Acting (New York: Macmillan)
Hansen, Mark and Rubin, Ben. 2001. ‘Listening Post, Real-Time Data Responsive Environment’ <https://www.youtube.com/watch?v=dD36IajCz6A>
Heathfield, Adrian. 2000. Small Acts: Performance, the Millennium and the Marking of Time (London: Black Dog Pub)
Heddon, Deirdre, and Jane Milling. 2006. Devising Performance: A Critical History (Basingstoke: Palgrave Macmillan) <http://lib.myilibrary.com/browse/open.asp?id=86088&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Hill, Gary. [n.d.]. ‘Site Recite (a Prologue)’ <http://users.speakeasy.net/~subtext/poetry/hill/poem1.htm>
Hodge, Alison. 2000. Twentieth Century Actor Training (London: Routledge) <http://lib.myilibrary.com/browse/open.asp?id=33513&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Jackson, Anthony. 1993. Learning through Theatre: New Perspectives on Theatre in Education, 2nd ed (London: Routledge) <http://lib.myilibrary.com/browse/open.asp?id=32142&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Jackson, Tony. 2007. Theatre, Education and the Making of Meanings: Art or Instument? (Manchester: Manchester University Press)
James Thompson. [n.d.]. Applied Theatre (Peter Lang Publishing) <http://lib.myilibrary.com/browse/open.asp?id=474957&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Jamieson, Duncan. 2007. ‘Between Derrida and Grotowski’, Contemporary Theatre Review, 17.1: 59–69 <https://doi.org/10.1080/10486800601096071>
Jellicoe, Ann. 1987. Community Plays: How to Put Them On (London: Methuen)
Jennings, Sue. 2010. Creative Drama in Groupwork, 2nd ed (Milton Keynes: Speechmark)
John Abbott. [n.d.]. Improvisation Book (Nick Hern Books)
Johnston, Chris. 2006a. The Improvisation Game: Discovering the Secrets of Spontaneous Performance (London: Nick Hern)
———. 2006b. The Improvisation Game: Discovering the Secrets of Spontaneous Performance (London: Nick Hern)
Johnstone, Keith. 2007. Impro: Improvisation and the Theatre (London: Methuen Drama)
Johnstone, Keith. 2012. Impro: Improvisation and the Theatre (Taylor and Francis) <http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=506514&site=ehost-live&scope=site>
Jones, Amelia. 2006. Self/Image: Technology, Representation, and the Contemporary Subject (London: Routledge)
Jones, Amelia, and Andrew Stephenson. 1999. Performing the Body/Performing the Text (London: Routledge) <http://www.dawsonera.com/guard/protected/dawson.jsp?name=Brunel%20University&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203983553>
Jones, Bill T., Kaiser, Paul, Eshkar, Shelley, Girard, Michael, and Amkraut, Susan. 1999. ‘Ghostcatching’ <https://www.youtube.com/watch?v=uqnUqiU1OTE>
Kershaw, Baz. 1992. The Politics of Performance: Radical Theatre as Cultural Intervention (London: Routledge) <http://lib.myilibrary.com/browse/open.asp?id=42880&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Kuppers, Petra. 2007. Community Performance: An Introduction (London: Routledge) <http://lib.myilibrary.com/browse/open.asp?id=75090&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
LaBelle, Brandon. 2006. Background Noise: Perspectives on Sound Art (New York: Continuum)
Lehmann, Hans-Thies. 2006. Postdramatic Theatre (Abingdon, [England]: Routledge)
Licht, Alan. 2007. Sound Art: Beyond Music, between Categories (New York, N.Y.: Rizzoli)
‘Little Fish Theatre’. [n.d.]. <http://www.bigfishtheatre.com/>
Luke Dixon. 2003. Play-Acting (London: Methuen)
Machon, Josephine. 2009a. (Syn)Aesthetics: Redefining Visceral Performance (Basingstoke: Palgrave Macmillan) <http://lib.myilibrary.com/browse/open.asp?id=250753&entityid=https://shibidp.ntu.ac.uk/shibboleth>
———. 2009b. (Syn)Aesthetics: Redefining Visceral Performance (Basingstoke: Palgrave Macmillan) <http://lib.myilibrary.com/browse/open.asp?id=250753&entityid=https://shibidp.ntu.ac.uk/shibboleth>
Mamet, David. 1998. True and False: Heresy and Common Sense for the Actor (London: Faber)
McGrath, John. 1996. A Good Night out: Popular Theatre: Audience, Class and Form, 2nd ed (London: Nick Hern Books)
Meisner, Sanford, and Dennis Longwell. 1987. Sanford Meisner on Acting (New York: Vintage Books)
Mendus, Clive. 2006. ‘‘Competitive Co-Operation’: Playing with Theatre de Complicite’, New Theatre Quarterly, 22.03 <https://doi.org/10.1017/S0266464X06000467>
Merlin, Bella. 2007. The Complete Stanislavsky Toolkit (London: Nick Hern)
Michael Bogdanov. 2003. Shakespeare, the Director’s Cut (Edinburgh: Capercaillie)
Mitter, Shomit and ebrary, Inc. 2000a. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Brook (London: Routledge) <http://site.ebrary.com/lib/nottinghamtrent/Doc?id=5002486>
———. 2000b. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Brook (London: Routledge) <http://site.ebrary.com/lib/nottinghamtrent/Doc?id=5002486>
Morley, Dave. 1992. Television, Audiences and Cultural Studies (London: Routledge) <http://lib.myilibrary.com/browse/open.asp?id=5629&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Morris, Catherine, Clarisse Bardiot, and MIT List Visual Arts Center. 2006. ‘9 Evenings Reconsidered : Art, Theatre, and Engineering, 1966’, in 9 Evenings Reconsidered: Art, Theatre, and Engineering, 1966 (Cambridge, Mass: MIT List Visual Arts Center)
Munster, Anna. 2006. Materializing New Media: Embodiment in Information Aesthetics, 1st ed (Dartmouth, N.H.: Dartmouth College Press) <http://lib.myilibrary.com/browse/open.asp?id=418776&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Nicholson, Helen. 2005. Applied Drama: The Gift of Theatre (Basingstoke: Palgrave Macmillan) <http://lib.myilibrary.com/browse/open.asp?id=86163&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Nick  Kaye. 2008. ‘Screening Presence: The Builders Association and Dbox, SUPER VISION (2005) 1’, Contemporary Theatre Review, 17.4 (Routledge) <http://www-tandfonline-com.ezproxy.brunel.ac.uk/doi/full/10.1080/10486800701235488#abstract>
Oddey, Alison. 1994a. Devising Theatre: A Practical and Theoretical Handbook (London: Routledge) <http://lib.myilibrary.com/browse/open.asp?id=530811&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
———. 1994b. Devising Theatre: A Practical and Theoretical Handbook (London: Routledge) <http://lib.myilibrary.com/browse/open.asp?id=530811&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Oida, Yoshi, Lorna Marshall, and Peter Brook. 2007. An Actor’s Tricks (London: Methuen Drama)
‘Oily Cart’. [n.d.]. <http://www.oilycart.org.uk/>
On Acting. 2001. (London: Faber and Faber)
‘On Risk’. 1996. in On Risk ([London]: Routledge) <https://intra.brunel.ac.uk/s/Library/Digital%20Readings/DR3614%20SANCHEZ-COLBERG%20Altered.pdf>
Patsy Rodenburg. 1997. The Actor Speaks (London: Methuen Drama)
‘Performance as Design: The Mediaturgy of John Jesurun’s Firefall’. [n.d.]. PAJ: A Journal of Performance and Art, 32.3 (The MIT Press) <http://muse.jhu.edu/journals/performing_arts_journal/v032/32.3.marranca.html>
‘Permanence Through Change: The Variable Media Approach’. [n.d.]. <http://variablemedia.net/e/preserving/html/var_pub_index.html>
Peter Backworth. [n.d.]. About Acting (David & Charles)
‘Pilot Theatre’. [n.d.]. <http://www.pilot-theatre.com/>
‘Pole Dance’. [n.d.]. <http://vimeo.com/77239020>
Prentki, Tim, and Sheila Preston. 2009. The Applied Theatre Reader (London: Routledge) <http://lib.myilibrary.com/browse/open.asp?id=542354&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Rauschenberg, Robert. 1966. ‘Open Score’ <https://www.youtube.com/watch?v=juo0OHsQTWE>
Review by: Philippa Wehle. 2002. ‘Live Performance and Technology: The Example of “Jet Lag”’, PAJ: A Journal of Performance and Art, 24.1 (The MIT Press) <http://www.jstor.org/stable/10.2307/3246468?Search=yes&resultItemClick=true&searchText=%22Live%20Performance%20and%20Technology:%20The%20example%20of%20Jet%20Lag%22&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DLive%2BPerformance%2Band%2BTechnology%253A%2BThe%2Bexample%2Bof%2BJet%2BLag%25E2%2580%259D%2B%2B%26amp%3BSearch%3DSearch%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3BglobalSearch%3D%26amp%3BsbbBox%3D%26amp%3BsbjBox%3D%26amp%3BsbpBox%3D>
Richard Hahlo. 2000. Dramatic Events (London: Faber and Faber)
Rosler, Martha. 2006. ‘Bringing the War Home: House Beautiful 1967–1972 New Series 2004’, Rethinking Marxism, 18.1: 100–119 <https://doi.org/10.1080/08935690500429031>
Rush, Michael. 2005. New Media in Art, New rev. ed (London: Thames & Hudson Ltd)
Salter, Chris. 2010. Entangled: Technology and the Transformation of Performance (Cambridge, Mass: MIT Press)
Savran, David. 1988. Breaking the Rules: The Wooster Group (New York: Theatre Communications Group)
Schlemmer, Oskar, László Moholy-Nagy, Farkas Molnár, Walter Gropius, and Arthur S. Wensinger. 1996a. The Theater of the Bauhaus, Johns Hopkins Paperbacks edition (Baltimore: Johns Hopkins University Press)
———. 1996b. The Theater of the Bauhaus, Johns Hopkins Paperbacks edition (Baltimore: Johns Hopkins University Press)
Schutzman, Mady, and Jan Cohen-Cruz. 1994. Playing Boal: Theatre, Therapy, Activism (London: Routledge) <http://lib.myilibrary.com/browse/open.asp?id=32141&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Schweitzer, Pam and ebrary, Inc. 2007. Reminiscence Theatre: Making Theatre from Memories (London: Jessica Kingsley Publishers) <http://site.ebrary.com/lib/nottinghamtrent/Doc?id=10182470>
‘Staging the Image: Video in Contemporary Performance’. [n.d.]. PAJ: A Journal of Performance and Art, 31.3 (The MIT Press) <http://muse.jhu.edu/journals/performing_arts_journal/v031/31.3.milder.html>
Suderburg, Erika. 2000. Space, Site, Intervention: Situating Installation Art (Minneapolis: University of Minnesota Press)
‘The Forsythe Company - I Don’t Believe in Outer Space’. [n.d.]. <http://www.youtube.com/watch?v=UrwkYV0fc1A&feature=related>
Thompson, James. 1998. Prison Theatre: Perspectives and Practices (London: Jessica Kingsley Publishers)
———. 2005. Digging up Stories: Applied Theatre, Performance and War (Manchester: Manchester University Press)
Tomlin, Liz, Liz Tomlin, Liz Tomlin, and Liz Tomlin. 2007. Point Blank: Nothing to Declare ; Operation Wonderland ; Roses and Morphine : Performance Texts and Critical Essays (Bristol: Intellect Books)
Uta Hagen. 1991. A Challenge for the Actor (New York: Scribner’s)
Viola, Bill, Robert Violette, and Anthony d’Offay (Firm). 1995. Reasons for Knocking at an Empty House: Writings 1973-1994 (London: Thames & Hudson)
Warr, Tracey, and Amelia Jones. 2000. The Artist’s Body (London: Phaidon)
‘While We Were Holding It Together’. [n.d.]. <http://www.dance-tech.net/video/1462368:Video:24776>
Willett, John. 1998. Brecht in Context: Comparative Approaches, revised (London: Methuen)
‘William Forsythe: I Don’t Believe in Outer Space’. [n.d.]. <http://vimeo.com/15468072>
Wilson, Michael. 2006. Storytelling and Theatre: Contemporary Storytellers and Their Art (Basingstoke: Palgrave Macmillan)
Zarrilli, Phillip B. 2002. Acting (Re)Considered: A Theoretical and Practical Guide (London: Routledge) <http://lib.myilibrary.com/browse/open.asp?id=14200&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth>
Zarrilli, Phillip B. 2008. Psychophysical Acting: An Intercultural Approach after Stanislavski (London: Routledge)