Actionwork Film Theatre Anti-Bullying and Education (no date). Available at: http://www.actionwork.com/.
‘After Ghostcatching (excerpts)’ (2010). Available at: https://vimeo.com/12957216.
Ahtila, Eija-Liisa (no date a) ‘The House (1)’. Available at: http://www.dailymotion.com/video/x4vwi5_the-house-eija-liisa-ahtila-1_creation.
Ahtila, Eija-Liisa (no date b) ‘The House (2)’. Available at: http://www.dailymotion.com/video/x4w98d_the-house-eija-liisa-ahtila-2_creation.
Alfreds, M. (2007) Different every night: freeing the actor. London: Nick Hern.
Applied and Interactive Theatre Guide (no date). Available at: http://www.tonisant.com/aitg/.
Artaud, A. and Corti, V. (2013) The theatre and its double. New edition. Richmond, Surrey: Alma Classics.
Aston, E. and Harris, G. (2008) Performance practice and process: contemporary (women) practitioners. Basingstoke: Palgrave Macmillan.
Baim, C. et al. (2002) The Geese Theatre handbook: drama with offenders and people at risk. Winchester: Waterside Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=112477&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Bannerman, C., Sofaer, J. and Watt, J. (2006) Navigating the unknown: the creative process in contemporary performing arts. Enfield: Middlesex University Press.
Bay-Cheng, S. and ebrary, Inc (2010) Mapping intermediality in performance [electronic resource]. Amsterdam: Amsterdam University Press. Available at: http://site.ebrary.com/lib/nottinghamtrent/Doc?id=10405022.
Benjamin, Walter (no date) ‘The work of art in the age of its technological reproducibility [First Version]’, The Work of Art in the Age of Its Technological Reproducibility [First Version] [Preprint], (39). Available at: http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=50224355&site=ehost-live.
Birringer, J. (1998) Media and performance: along the border. Baltimore: Johns Hopkins University Press.
Bishop, C. (2005) Installation art. London: Tate.
Boal, A. (2002a) Games for actors and non-actors. 2nd ed. London: Routledge.
Boal, A. (2002b) Games for actors and non-actors. 2nd ed. London: Routledge.
Boal, A. (2002c) Games for actors and non-actors. 2nd ed. London: Routledge.
Bogart, A. (2001) A director prepares: seven essays on art and theatre. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=6818&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Bogart, A. and Landau, T. (2005) The viewpoints book: a practical guide to viewpoints and composition. 1st ed. New York: Theatre Communications Group.
Bolter, J.D. and Grusin, R. (2000) Remediation: understanding new media. Cambridge, Mass: MIT.
Bonnie Marranca (2008) Performance histories. New York: PAJ Publications.
Bourriaud, N. (no date) Relational aesthetics.
Braun, E. (1998) Meyerhold: A Revolution in Theatre. London: Methuen. Available at: http://lib.myilibrary.com/browse/open.asp?id=604054&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Broadhurst, S. and Machon, J. (2009) Sensualities/textualities and technologies: writings of the body in 21st century performance. Basingstoke: Palgrave Macmillan.
Brook, P. (1993) There are no secrets: thoughts on acting and theatre. London: Methuen.
Brook, P. (2008a) The empty space. London: Penguin.
Brook, P. (2008b) The empty space. London: Penguin.
Buskirk, M. (2005) The contingent object of contemporary art. Cambridge, Mass: MIT. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=100041&site=ehost-live&scope=site.
Cardboard Citizens (no date). Available at: http://www.cardboardcitizens.org.uk/.
Chapple, F. and Kattenbelt, C. (2006) Intermediality in theatre and performance. Amsterdam: Rodopi.
Chekhov, M., Chekhov, M. and Gordon, M. (1991) On the technique of acting. New York: Harper Perennial.
Chunky Move (2014) ‘Glow (Official, Full, HD)’. Available at: https://www.youtube.com/watch?v=2AautwIOON8.
Clifford, S. and Herrman, A. (1998) Making a leap, theatre for empowerment: a practical handbook for creative drama work with young people. London: Jessica Kingsley.
Cole, Toby and Chinoy, Helen Krich (1963a) Directors on directing: a source book of the modern theatre. Bobbs-Merrill.
Cole, Toby and Chinoy, Helen Krich (1963b) Directors on directing: a source book of the modern theatre. Bobbs-Merrill.
Coult, T. and Kershaw, B. (1983) Engineers of the imagination: the Welfare State handbook. Rev.ed. London: Methuen.
C&T (no date). Available at: http://www.candt.org/.
De Mallet Burgess, T. and Skilbeck, N. (2000) The singing and acting handbook: games and exercises for the performer. London: Routledge.
De Wend Fenton, R., Neal, L., and Calouste Gulbenkian Foundation (2005) The turning world: stories from the London International Festival of Theatre. London: Calouste Gulbenkian Foundation.
Delgado, M.M. and Heritage, P. (1996) In contact with the gods?: directors talk theatre. Manchester: Manchester University Press.
Dixon, S. (2007) Digital performance: a history of new media in theater, dance, performance art, and installation. Cambridge, Mass: MIT. Available at: http://lib.myilibrary.com?id=209859&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Donnellan, D. (2005) The actor and the target. Rev. ed. London: Nick Hern.
El Proceso como Paradigma (The Process as Paradigm) (no date). Available at: http://www.laboralcentrodearte.org/en/exposiciones/el-proceso-como-paradigma-23.04-30.08.2010.
Elsam, P. (2006) Acting characters: 20 simple steps from rehearsal to performance. London: A. & C. Black.
Elwes, C. (2005) Video art: a guided tour. London: I. B. Tauris. Available at: http://lib.myilibrary.com/browse/open.asp?id=252716&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Etchells, T. and ebrary, Inc (1999) Certain fragments: contemporary performance and forced entertainment [electronic resource]. London: Routledge. Available at: http://site.ebrary.com/lib/nottinghamtrent/Doc?id=10054916.
Freeman, J. (2007) New performance/new writing. Basingstoke: Palgrave Macmillan.
Freeman, J. (2010) Blood, sweat & theory: research through practice in performance. Faringdon: Libri Publishing. Available at: http://lib.myilibrary.com/browse/open.asp?id=505366&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Frost, A. and Yarrow, R. (2007) Improvisation in drama. 2nd ed. Basingstoke: Palgrave Macmillan.
Fusco, C. (1995) English is broken here: notes on cultural fusion in the Americas. New York, NY: New Press.
Geese Theatre Company (no date). Available at: http://www.geese.co.uk/.
Gómez-Peña, G. and Peña, E. (2005) Ethno-techno: writings on performance, activism, and pedagogy. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=21729&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Grotowski, J. and Barba, E. (no date) Towards a poor theatre. London: Eyre Methuen. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=507082&site=ehost-live&scope=site.
Hélio Oiticica: quasi-cinemas : [exhibition catalogue] (2001). Ostfildern-Ruit: Hatje Cantz.
Hagen, U. and Frankel, H. (1973) Respect for acting. New York: Macmillan.
Hansen, Mark and Rubin, Ben (2001) ‘Listening Post, Real-Time Data Responsive Environment’. Available at: https://www.youtube.com/watch?v=dD36IajCz6A.
Heathfield, A. (2000) Small acts: performance, the millennium and the marking of time. London: Black Dog Pub.
Heddon, D. and Milling, J. (2006) Devising performance: a critical history. Basingstoke: Palgrave Macmillan. Available at: http://lib.myilibrary.com/browse/open.asp?id=86088&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Hill, Gary (no date) Site Recite (a prologue). Available at: http://users.speakeasy.net/~subtext/poetry/hill/poem1.htm.
Hodge, A. (2000) Twentieth century actor training. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=33513&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Jackson, A. (1993) Learning through theatre: new perspectives on theatre in education. 2nd ed. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=32142&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Jackson, T. (2007) Theatre, education and the making of meanings: art or instument? Manchester: Manchester University Press.
James Thompson (no date) Applied Theatre [Paperback]. Peter Lang Publishing. Available at: http://lib.myilibrary.com/browse/open.asp?id=474957&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Jamieson, D. (2007) ‘Between Derrida and Grotowski’, Contemporary Theatre Review, 17(1), pp. 59–69. Available at: https://doi.org/10.1080/10486800601096071.
Jellicoe, A. (1987) Community plays: how to put them on. London: Methuen.
Jennings, S. (2010) Creative drama in groupwork. 2nd ed. Milton Keynes: Speechmark.
John Abbott (no date) Improvisation Book [Paperback]. Nick Hern Books.
Johnston, C. (2006a) The improvisation game: discovering the secrets of spontaneous performance. London: Nick Hern.
Johnston, C. (2006b) The improvisation game: discovering the secrets of spontaneous performance. London: Nick Hern.
Johnstone, K. (2007) Impro: improvisation and the theatre. London: Methuen Drama.
Johnstone, Keith (2012) Impro: improvisation and the theatre. Taylor and Francis. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=506514&site=ehost-live&scope=site.
Jones, A. (2006) Self/image: technology, representation, and the contemporary subject. London: Routledge.
Jones, A. and Stephenson, A. (1999) Performing the body/performing the text. London: Routledge. Available at: http://www.dawsonera.com/guard/protected/dawson.jsp?name=Brunel%20University&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203983553.
Jones, Bill T. et al. (1999) ‘Ghostcatching’. Available at: https://www.youtube.com/watch?v=uqnUqiU1OTE.
Kershaw, B. (1992) The politics of performance: radical theatre as cultural intervention. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=42880&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Kuppers, P. (2007) Community performance: an introduction. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=75090&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
LaBelle, B. (2006) Background noise: perspectives on sound art. New York: Continuum.
Lehmann, H.-T. (2006) Postdramatic theatre. Abingdon, [England]: Routledge.
Licht, A. (2007) Sound art: beyond music, between categories. New York, N.Y.: Rizzoli.
Little Fish Theatre (no date). Available at: http://www.bigfishtheatre.com/.
Luke Dixon (2003) Play-acting. London: Methuen.
Machon, J. (2009a) (Syn)aesthetics: redefining visceral performance [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: http://lib.myilibrary.com/browse/open.asp?id=250753&entityid=https://shibidp.ntu.ac.uk/shibboleth.
Machon, J. (2009b) (Syn)aesthetics: redefining visceral performance [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: http://lib.myilibrary.com/browse/open.asp?id=250753&entityid=https://shibidp.ntu.ac.uk/shibboleth.
Mamet, D. (1998) True and false: heresy and common sense for the actor. London: Faber.
McGrath, J. (1996) A good night out: popular theatre: audience, class and form. 2nd ed. London: Nick Hern Books.
Meisner, S. and Longwell, D. (1987) Sanford Meisner on acting. New York: Vintage Books.
Mendus, C. (2006) ‘‘Competitive Co-operation’: Playing with Theatre de Complicite’, New Theatre Quarterly, 22(03). Available at: https://doi.org/10.1017/S0266464X06000467.
Merlin, B. (2007) The complete Stanislavsky toolkit. London: Nick Hern.
Michael Bogdanov (2003) Shakespeare, the director’s cut. Edinburgh: Capercaillie.
Mitter, S. and ebrary, Inc (2000a) Systems of rehearsal: Stanislavsky, Brecht, Grotowski, and Brook [electronic resource]. London: Routledge. Available at: http://site.ebrary.com/lib/nottinghamtrent/Doc?id=5002486.
Mitter, S. and ebrary, Inc (2000b) Systems of rehearsal: Stanislavsky, Brecht, Grotowski, and Brook [electronic resource]. London: Routledge. Available at: http://site.ebrary.com/lib/nottinghamtrent/Doc?id=5002486.
Morley, D. (1992) Television, Audiences and Cultural Studies. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=5629&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Morris, C., Bardiot, C., and MIT List Visual Arts Center (2006) ‘9 evenings reconsidered : art, theatre, and engineering, 1966’, in 9 evenings reconsidered: art, theatre, and engineering, 1966. Cambridge, Mass: MIT List Visual Arts Center.
Munster, A. (2006) Materializing new media: embodiment in information aesthetics. 1st ed. Dartmouth, N.H.: Dartmouth College Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=418776&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Nicholson, H. (2005) Applied drama: the gift of theatre. Basingstoke: Palgrave Macmillan. Available at: http://lib.myilibrary.com/browse/open.asp?id=86163&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Nick  Kaye (2008) ‘Screening Presence: The Builders Association and dbox, SUPER VISION (2005) 1’, Contemporary Theatre Review, 17(4). Available at: http://www-tandfonline-com.ezproxy.brunel.ac.uk/doi/full/10.1080/10486800701235488#abstract.
Oddey, A. (1994a) Devising theatre: a practical and theoretical handbook. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=530811&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Oddey, A. (1994b) Devising theatre: a practical and theoretical handbook. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=530811&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Oida, Y., Marshall, L. and Brook, P. (2007) An actor’s tricks. London: Methuen Drama.
Oily Cart (no date). Available at: http://www.oilycart.org.uk/.
On acting (2001). London: Faber and Faber.
‘On risk’ (1996) in On risk. [London]: Routledge. Available at: https://intra.brunel.ac.uk/s/Library/Digital%20Readings/DR3614%20SANCHEZ-COLBERG%20Altered.pdf.
Patsy Rodenburg (1997) The actor speaks. London: Methuen Drama.
‘Performance as design: The mediaturgy of John Jesurun’s firefall’ (no date) PAJ: A Journal of Performance and Art, 32(3). Available at: http://muse.jhu.edu/journals/performing_arts_journal/v032/32.3.marranca.html.
‘Permanence Through Change: The Variable media Approach’ (no date). Available at: http://variablemedia.net/e/preserving/html/var_pub_index.html.
Peter Backworth (no date) About Acting [Paperback]. David & Charles.
Pilot Theatre (no date). Available at: http://www.pilot-theatre.com/.
‘Pole Dance’ (no date). Available at: http://vimeo.com/77239020.
Prentki, T. and Preston, S. (2009) The applied theatre reader. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=542354&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Rauschenberg, Robert (1966) ‘Open Score’. Available at: https://www.youtube.com/watch?v=juo0OHsQTWE.
Review by: Philippa Wehle (2002) ‘Live performance and technology: The example of “Jet Lag”’, PAJ: A Journal of Performance and Art, 24(1). Available at: http://www.jstor.org/stable/10.2307/3246468?Search=yes&resultItemClick=true&searchText=%22Live%20Performance%20and%20Technology:%20The%20example%20of%20Jet%20Lag%22&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DLive%2BPerformance%2Band%2BTechnology%253A%2BThe%2Bexample%2Bof%2BJet%2BLag%25E2%2580%259D%2B%2B%26amp%3BSearch%3DSearch%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3BglobalSearch%3D%26amp%3BsbbBox%3D%26amp%3BsbjBox%3D%26amp%3BsbpBox%3D.
Richard Hahlo (2000) Dramatic events. London: Faber and Faber.
Rosler, M. (2006) ‘Bringing the War Home: House Beautiful 1967–1972 new series 2004’, Rethinking Marxism, 18(1), pp. 100–119. Available at: https://doi.org/10.1080/08935690500429031.
Rush, M. (2005) New media in art. New rev. ed. London: Thames & Hudson Ltd.
Salter, C. (2010) Entangled: technology and the transformation of performance. Cambridge, Mass: MIT Press.
Savran, D. (1988) Breaking the rules: the Wooster Group. New York: Theatre Communications Group.
Schlemmer, O. et al. (1996a) The theater of the Bauhaus. Johns Hopkins Paperbacks edition. Baltimore: Johns Hopkins University Press.
Schlemmer, O. et al. (1996b) The theater of the Bauhaus. Johns Hopkins Paperbacks edition. Baltimore: Johns Hopkins University Press.
Schutzman, M. and Cohen-Cruz, J. (1994) Playing boal: theatre, therapy, activism. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=32141&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Schweitzer, P. and ebrary, Inc (2007) Reminiscence theatre: making theatre from memories [electronic resource]. London: Jessica Kingsley Publishers. Available at: http://site.ebrary.com/lib/nottinghamtrent/Doc?id=10182470.
‘Staging the image: Video in contemporary performance’ (no date) PAJ: A Journal of Performance and Art, 31(3). Available at: http://muse.jhu.edu/journals/performing_arts_journal/v031/31.3.milder.html.
Suderburg, E. (2000) Space, site, intervention: situating installation art. Minneapolis: University of Minnesota Press.
‘The Forsythe Company - I don’t believe in outer space’ (no date). Available at: http://www.youtube.com/watch?v=UrwkYV0fc1A&feature=related.
Thompson, J. (1998) Prison theatre: perspectives and practices. London: Jessica Kingsley Publishers.
Thompson, J. (2005) Digging up stories: applied theatre, performance and war. Manchester: Manchester University Press.
Tomlin, L. et al. (2007) Point blank: Nothing to declare ; Operation wonderland ; Roses and morphine : performance texts and critical essays. Bristol: Intellect Books.
Uta Hagen (1991) A challenge for the actor. New York: Scribner’s.
Viola, B., Violette, R., and Anthony d’Offay (Firm) (1995) Reasons for knocking at an empty house: writings 1973-1994. London: Thames & Hudson.
Warr, T. and Jones, A. (2000) The artist’s body. London: Phaidon.
‘While we were holding it together’ (no date). Available at: http://www.dance-tech.net/video/1462368:Video:24776.
Willett, J. (1998) Brecht in context: comparative approaches. revised. London: Methuen.
‘William Forsythe: I don’t believe in outer space’ (no date). Available at: http://vimeo.com/15468072.
Wilson, M. (2006) Storytelling and theatre: contemporary storytellers and their art. Basingstoke: Palgrave Macmillan.
Zarrilli, P.B. (2002) Acting (re)considered: a theoretical and practical guide. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=14200&entityid=https://shibsles.brunel.ac.uk/idp/shibboleth.
Zarrilli, P.B. (2008) Psychophysical acting: an intercultural approach after Stanislavski. London: Routledge.